A photography project that displaying brutalist architecture in British motorway bridges. My intention with this project was to capture these everyday bridges with a sculptural approach, focusing on their heavy, ruthless appearance. The publication is perfect bound to hide the connecting edges of the photographs in the page binding to create an illusion that the bridges are connected. The font on the front cover is Aksidenz Grotesk and is used on most UK road signs. This project combines with the car boot sale publication to create an ongoing photography series showcasing British culture.